studio/Moog synthesizer production lab on the 12th floor. Fine designed, oversaw the building child marriage in nepal essay of, and initially ran the Armstrong Audio/Video complex in Melbourne Australia (later AAV Australia). It later lived at Sear Sound and is now owned by the Museum of Sound Recording group. Everest also had Westrex/Scully LP mastering facilities, and three portable Westrex film recorders. And for an excellent thorough interview of Bob Fine by Bert Whyte, click here to download: Audio-681_Fine_Recording. A few years later, the adjoining suite became available, and Studio D was built as a second sound-for-picture studio. Note: Command was a prominent record label in the 1960s.
Everest, which was a division of Bellock Industries, built a large studio in Bayside, Queens. (update: weve added detailed information about the Fine Bayside location at the end of this article. Click here and scroll down to read more ).
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For online support visit the, listen Live page. Also, there were many special-purpose effects devices and modifications to stock pieces in order to gain various sounds and effects desired by clients. Fine at the Lathe,. Fine Recording shut down the Bayside studio in the mid-60s. Monitoring was done on Altec A7s powered by McIntosh amps. If you wanted a clean, linear signal (IE., no compression you just used the console channels conservatively. Click here to DL schematics for the Gates 5879 preamps : Gates-M5215_preamp. Studio C and D shared a film-machine room and both were equipped for 35mm and 16mm synchronized picture and sound work. . For an example of the typical Command sound, click here ) Regarding the session depicted in the Popular Science article: it is of special interest because the master medium was 35mm magnetic film, not tape. Broadway, Manhattan, NY 10012 Monday - Saturday 10:00am - 8:00pm Sunday 11:00am - 8:00pm Central Park Kiosk. Note: click here for an excellent Moog cut from Hyman ).
The new Audio Designs Manufacturing (ADM) console installed was, at the time, among the largest desks outside of Hollywood. Fine in the summer of 1958, the first recording sessions took place in Ballroom Studio A, and continued almost daily until 1971. Hundreds of films, TV commercials, and special productions were mixed on this console over the years. The Westrex film equipment was integrated into the Manhattan sound-for-picture studios, as can be seen in the 1967 Popular Science photos.